Thursday, 12 November 2009
War of the World War IIIs
In the red corner we have World War III by Melle Mel : a future-shock vision of combat on the battlefield and the horrors nuclear war could bring about on the planet over some grandiose electro-funk and R&B wailing, made smack dab in the middle of the Cold War in 1984 :
Melle Mel - World War III
And in the blue corner we have World War III by the Ruff Ryders featuring Snoop, Yung Wun, Scarface and Jadakiss : the bi-coastal posse jam to end all bicoastal posse jams from 2000, where Swizz not only provides parping tuba (true story : we read on Just Blaze's Twitter that it's a Harold Bishop sample) over his trademark Casio presets and Skull Snaps break combination, but also adds his raspy tones to the hook as he instructs each rapper to introduce themselves before their verses :
Ruff Ryders ft. Snoop, Yung Wun, Scarface & Jadakiss - World War III
As great as Melle Mel's World War III is (that shit scared the bejeezus out of me the first time I heard it), the God-bothering leaves it feeling all a bit too Camouflage by Stan Ridgeway to defeat the combined forces of 'Face and Jada on a track together with Swizz's accompanying "State cha ya name, gangsta.." hook. Result : Ruff Ryders and pals win on a controversial but correct points decision.
So, how the fuck did we go from posse cuts like this to laughable shite like Swagger Like Us and Forever? Don'tcha just wish they'd had someone like Juve' on there instead of Yung Won, though. I mean, honestly, Yung Wun? Jesus. On the bright side, at least we were spared a Drag-On verse.
The duplicate monikered Monch tune with Shabaam Sahdeeq? Eh, that shit is cool 'n' all but it belongs in a different weight class as it doesn't sound suitably epic enough for a song with such a monumental title, does it?